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Cited by in F6Publishing
For: Yin Y. Vocaloid in China: Cosmopolitan music, cultural expression, and multilayer identity. Global Media and China 2018;3:51-66. [DOI: 10.1177/2059436418778600] [Cited by in Crossref: 8] [Cited by in F6Publishing: 8] [Article Influence: 1.6] [Reference Citation Analysis]
Number Citing Articles
1 Rong EZ, Zhou MM, Lu Z, Fan M. “It Feels Like Being Locked in A Cage”: Understanding Blind or Low Vision Streamers’ Perceptions of Content Curation Algorithms. Designing Interactive Systems Conference 2022. [DOI: 10.1145/3532106.3533514] [Reference Citation Analysis]
2 March L. Wrap You Up in My Blue Hair”: Vocaloid, Hyperpop, and Identity in “Ashnikko Feat. Hatsune Miku – Daisy 2.0”. Television & New Media. [DOI: 10.1177/15274764221093599] [Reference Citation Analysis]
3 Jiang C. The making of popstar fembots: Participation, co-creation, or online cultural exploitation? hybrid 2022. [DOI: 10.4000/hybrid.2254] [Reference Citation Analysis]
4 Michaud A. Locating liveness in holographic performances: technological anxiety and participatory fandom at Vocaloid concerts. Pop Mus . [DOI: 10.1017/s0261143021000660] [Cited by in Crossref: 1] [Cited by in F6Publishing: 1] [Article Influence: 1.0] [Reference Citation Analysis]
5 Zhang Q, Negus K. Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization. Popular Music and Society 2021;44:539-57. [DOI: 10.1080/03007766.2021.1921909] [Cited by in Crossref: 3] [Cited by in F6Publishing: 2] [Article Influence: 1.5] [Reference Citation Analysis]
6 [DOI: 10.1145/3411764.3445660] [Cited by in Crossref: 7] [Cited by in F6Publishing: 1] [Article Influence: 3.5] [Reference Citation Analysis]
7 Lin Y, Kao H, Tseng Y, Tsai M, Su L. A Human-Computer Duet System for Music Performance. Proceedings of the 28th ACM International Conference on Multimedia 2020. [DOI: 10.1145/3394171.3413921] [Cited by in Crossref: 2] [Article Influence: 0.7] [Reference Citation Analysis]
8 Negus K. Nation-states, transnational corporations and cosmopolitans in the global popular music economy. Global Media and China 2019;4:403-18. [DOI: 10.1177/2059436419867738] [Cited by in Crossref: 1] [Cited by in F6Publishing: 1] [Article Influence: 0.3] [Reference Citation Analysis]