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Cited by in F6Publishing
For: Zhang Q, Negus K. Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization. Popular Music and Society 2021;44:539-57. [DOI: 10.1080/03007766.2021.1921909] [Cited by in Crossref: 3] [Cited by in F6Publishing: 2] [Article Influence: 1.5] [Reference Citation Analysis]
Number Citing Articles
1 Zhang M, Xiao Z. Platform-mediated live musical performance in China: New social practices and urban cultural spaces. Geoforum 2023;140:103723. [DOI: 10.1016/j.geoforum.2023.103723] [Reference Citation Analysis]
2 Flynn M, Anderson R. Playing Out. JWPM 2022;9. [DOI: 10.1558/jwpm.23349] [Reference Citation Analysis]
3 Mouillot F. “The social and cultural dimension of ‘platforming’ live music : the case of the Hong Kong independent music scene during the Covid-19 pandemic”. Popular Communication. [DOI: 10.1080/15405702.2021.2006663] [Reference Citation Analysis]
4 Quader SB. How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic. The Journal of International Communication 2022;28:90-109. [DOI: 10.1080/13216597.2021.1989703] [Cited by in Crossref: 2] [Cited by in F6Publishing: 1] [Article Influence: 1.0] [Reference Citation Analysis]
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